The I LAURANG THE SHRIMP MAN'S INSPIRATION IN GALA PARTY ATTIRE

  • Sugiyem - Sugiyem UNY
Keywords: I Laurang, shrimp man, party fashion, gala

Abstract

Fashion is one of the human needs that never runs out to be explored. Exploration of party fashion with the source of cultural ideas can result in unique, creative, and meaningful fashion designs. Developing party fashion with the source of Indonesian cultural ideas is very important because it can enrich party fashion designs and provide more value to fashion. Gala party clothing with the source of the idea I Laurang Sang Manusia Udang indirectly introduces Sulawesi folklore in which there is a moral story about sincerity, patience, never giving up, and confidence which ultimately results in victory and happiness. Creating culturally inspired clothing and exploring culture as a source of fashion creation ideas is important because it can help maintain cultural heritage, create unique works, broaden horizons, show appreciation, and improve the quality of clothing.

References

[1] M. I. S. S. A. H. Amber Osman, “New Article of Clothing translates the Mood of an Individual,” Int. J. Bus. Soc. Sci. (IJBSS), ISSN 2219-1933, vol. 02, no. 23, pp. 183–185, 2011, [Online]. Available: http://www.academia.edu/3070344/New_Article_of_Clothing_translates_the_Mood_of_an_Individual
[2] M. T. Jan and K. Abdullah, “Fashion: Malaysian Muslim Women Perspective,” Eur. Sci. J., vol. 7881, no. November, pp. 438–454, 2015.
[3] Richard Weiner, Webster’s New World Dictionary of Media and Communications.Revised Edition. 1996.
[4] Priscilia Yunita Wijaya, “Ide Dan Desain,” Nirmana, vol. 1, no. 2, pp. 119–130, 1999, [Online]. Available: http://puslit2.petra.ac.id/ejournal/index.php/dkv/article/view/16047
[5] S. E. P. R. Eilmiy Sabila, Esin Sintawati, “Faktor yang Mempengaruhi Preferensi Konsumen Batik Tulis ‘Tanjung Bumi’ Di Galeri Tresna Art Bangkalan,” J. Inov. Tek. dan Edukasi Teknol., vol. 1, no. 1, pp. 64–70, 2021, doi: 10.17977/ UM068v1n1p64-70.
[6] Wisri Adipertiwi Mamdy, Menggambar Anatomi Modis untuk Merancang Busana. 2001.
[7] Widjiningsih, Desain Hiasan dan Lenan Rumah Tangga. Yogyakarta: IKIP Yogyakarta, 1982.
[8] F. Mete, “The creative role of sources of inspiration in clothing design,” Int. J. Cloth. Sci. Technol., vol. 18, no. 4, pp. 278–293, 2006, doi: 10.1108/09556220610668509.
[9] M. K. Nafila, Widatun, “Pengaruh Peletakan Pola Terhadap Hasil Jadi Blus Circular Drape Menggunakan Kain Lycra Metode Pattern Magic Stretch Fabric,” e-Journal Unesa, vol. 3, no. 3, pp. 70–76, 2014.
[10] Enny Zuhni Khayati, Pembuatan busana III. Yogyakarta: IKIP Yogyakarta, 1998.
[11] Wikipedia, “Aksara Lontara.” https://id.wikipedia.org/wiki/Aksara_Lontara
[12] Atisah Sipahelut dan Petrussumadi, Dasar­Dasar Desain. Jakarta: Departemen Pendidikan dan Kebudayaan, 1991.
[13] Tim Penyusun Kamus Pusat Bahasa, Kamus Besar Bahasa Indonesia. Jakarta. Balai Pustaka, 2007.
[14] Afif Ghurub Bestari., Menggambar Busana Dengan Teknik Kering. Yogyakarta: KTSP, 2011.
[15] Arifah A. Riyanto, Desain Busana. Bandung: Yapemdo, 2003.
[16] S. Sugiyem, “A Woman Consumer Preference In Party Clothes With 3D Decorations,” J. Da Moda, vol. 4, no. 2 SE-Articles, May 2023, doi: 10.35886/damoda.v4i2.524.
[17] Ernawati, Tata Busana Jilid 2. Jakarta: Direktorat Pembinaan Sekolah Menengah Kejuruan, 2008.
[18] V. P. Rizqi and M. Maeliah, “Eksplorasi Bordir Motif Bunga Sebagai Decorative Trims Pada Busana Pesta,” J. Da Moda, vol. 2, no. 1, pp. 1–6, 2020, doi: 10.35886/damoda.v2i1.106.
Published
2023-10-28
How to Cite
Sugiyem, S. (2023). The I LAURANG THE SHRIMP MAN’S INSPIRATION IN GALA PARTY ATTIRE. Jurnal Da Moda, 5(1), 10-17. https://doi.org/10.35886/damoda.v5i1.614